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Compared with Harris, Riley’s remonstration in Control appears schooled and wise, befitting an actor who would one day play Jack Kerouac ( On the Road, 2012). He gives Wilson a piece of paper that carries the name of the band - Joy Division - and the words ‘you cunt’. He calls Wilson a twat for not yet putting his band on the television show he hosts. Here it begins with Sam Riley sharing conspiratorial looks with his bandmates, before he marches off to a table where Wilson is sitting and confronts him. The pool table episode appears in Control. It is our introduction to Sean Harris, an actor no stranger to intensity, later finding lead roles as murderer Ian Brady ( See No Evil: The Moors Murderers, 2006), a homicidal racist ( Outlaw, 2007) and a megalomaniac bent on world domination ( Mission: Impossible Rogue Nation, 2015). And a mouth on him.’ This is Wilson’s introduction to Curtis. He is a ‘scrawny young lad,’ writes Wilson, ‘at the other side of the pool table.
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The book is prefaced by a suitably elegiac Wilsonism, that some of what you will read is fact, much of it is fabricated. Television personality and founder of Factory Records, Wilson recalls that first meeting with Curtis in his book, 24 Hour Party People, itself a story based on the original screenplay written by Frank Cottrell Boyce. It is not the Curtis who yells “cunt!” at Tony Wilson from across a bar room in 24 Hour Party People.
Control ian curtis netflix archive#
An archive interview with BBC radio reveals Curtis to be warm, quietly spoken, evidently intelligent, and with a sense of humour. Likely the truth is an amalgam of the two. Only those who knew the artist, of course, can say which, if either, is the more accurate. These opposing performances construct two very specific portraits of Curtis. Sean Harris as Ian Curtis, in 24 Hour Party People. In Control it is Sam Riley, a more kindly and sympathetic presence, but ill equipped to cope with domesticity or stardom. His manner is a joyless lobster, a pinched threat eager to deflate anyone with expectations equal to or greater than his own. Sean Harris plays Curtis in 24 Hour Party People. The second is Control (d: Anton Corbijn, 2007), about Joy Division and Ian Curtis specifically. The first of these biopics is 24 Hour Party People (d: Michael Winterbottom, 2002), the story of Factory records, depicted here as a game of two halves as the heavy gravitas of Joy Division lurches suddenly into the pantomime of the Happy Mondays. Factory records, a game of two halves Instead, our image of Ian Curtis comes through those who knew him and via two dramatizations, music biopics a half decade apart. Beyond the canon of Joy Division music and a smattering of televised performances, there is little, almost nothing, by way of recorded documentation. Unlike many stars who died tragically young, Ian Curtis left only fragments behind.